A Foreign Land - Alastair Whitton: Silver Prints
Barnard is pleased to present A Foreign Land by Cape Town based photographer Alastair Whitton.
“My first reaction to these photographs was to shiver. Two sentences came to mind, by I know not whom – ‘Africa is a cold country where the sun always shines’ and another – ‘The touch of the devil is as cold as ice’.” Marlene Dumas, Amsterdam.
“Conceived as anthropological ‘field notes’ situated within Cape Town, Whitton’s project is unreservedly about location. And yet, despite this affirmation of place, the images remain untethered, as though caught always between places, or moments, as ghostings of some other indefinable place and time.” Ashraf Jamal, Cape Town.
Essentially a portrait of Cape Town, a city in flux, this body of work considers, what Alastair Whitton refers to as, ‘the mechanisms of memory and the mapping of geographies’. Through the lens he explores ‘the architecture of time and the poetics and politics of place’. His photographs celebrate the seemingly commonplace and are in effect ‘monuments to the dislocated and overlooked’. Of his creative practice Whitton says, “I understand the process as a form of visual and cultural archaeology; a gathering and structuring of found fragments in an attempt to make sense of place and time while recording personal and collective histories.”
Whitton’s work has been featured in exhibitions at notable museums and institutions in South Africa and abroad including amongst others Foto Museum, Antwerp; Pratt Institute, New York; Calouste Gulbenkian Museum, Lisbon; The Center for Book Arts, New York; Museo Carlo Bilotti, Rome; Fondazione Giorgio Cini, Venice; Musée National du Mali, Bamako and IZIKO South African National Gallery, Cape Town.
“My first reaction to these photographs was to shiver. Two sentences came to mind, by I know not whom – ‘Africa is a cold country where the sun always shines’ and another – ‘The touch of the devil is as cold as ice’.” Marlene Dumas, Amsterdam.
“Conceived as anthropological ‘field notes’ situated within Cape Town, Whitton’s project is unreservedly about location. And yet, despite this affirmation of place, the images remain untethered, as though caught always between places, or moments, as ghostings of some other indefinable place and time.” Ashraf Jamal, Cape Town.
Essentially a portrait of Cape Town, a city in flux, this body of work considers, what Alastair Whitton refers to as, ‘the mechanisms of memory and the mapping of geographies’. Through the lens he explores ‘the architecture of time and the poetics and politics of place’. His photographs celebrate the seemingly commonplace and are in effect ‘monuments to the dislocated and overlooked’. Of his creative practice Whitton says, “I understand the process as a form of visual and cultural archaeology; a gathering and structuring of found fragments in an attempt to make sense of place and time while recording personal and collective histories.”
Whitton’s work has been featured in exhibitions at notable museums and institutions in South Africa and abroad including amongst others Foto Museum, Antwerp; Pratt Institute, New York; Calouste Gulbenkian Museum, Lisbon; The Center for Book Arts, New York; Museo Carlo Bilotti, Rome; Fondazione Giorgio Cini, Venice; Musée National du Mali, Bamako and IZIKO South African National Gallery, Cape Town.
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Alastair WhittonWarning sign, District Six, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's -
Alastair WhittonTent, Observatory, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonBatman & Zuma, Rondebosch, 2014 - 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonCoke, Woodstock, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonFuel station, Salt River, 2018 - 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonBus shelter, Bonteheuwel, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonWagon (Wa), Paarden Eiland, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonGrating, Paarden Eiland, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonBus shelter II, Bonteheuwel, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonNo parking, Woodstock, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonBarrier, Rondebosch, 2018 - 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonInterior, Paarden Eiland, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonPlayground, Rondebosch, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonCabinet (Buffel), Rondebosch, 2014 - 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonSight screen, Rondebosch, 2018 - 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonPool, Rosebank, 2018 - 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonPlayground, Rosebank, 2018 - 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonWashing line, Rondebosch, 2014 - 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonWindow, Observatory, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonWall (Make Art Not War), Woodstock, 2013 - 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
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Alastair WhittonSubway, Observatory, 2019Gelatin silver print30 x 40 cm (image size)Edition: 5 + 2 AP's
