The unlikely marriage of movement and stillness, of tumult and quietude, is a defining characteristic of Katherine Spindler’s oeuvre, eliciting a similar mix of emotion in the viewer. In examining Spindler’s paintings one has thesense that things are moving just beneath and beyond the surface, too vast to fully perceive or understand.Witha quiet immensity and arresting gravitas, Spindler’s work sees light and shadow flicker and evade, swirl in eddies,swell and recede.The surface of the canvas, like water, is unstable, constantly shifting and undulating while main-taining a meditative stillness that both captivates and mystifies. Often blurring, veiling, or erasing the images she works with, Spindler’s intention is to evoke rather than explicate, to suggest more than to prescribe.


Spindler completed both her BA(FA) (2004) and MFA (2011) with distinction at the Michaelis School of FineArt, where she also lectures part time in drawing and printmaking. Her distinguished Masters exhibition, At Sea,drew upon her experience volunteering aboard a hospital ship off the coast of Liberia, and went on to show at Commune.1 in CapeTown. She joined Barnard Gallery in 2014 and in August 2015 presented Selah, her second solo exhibition, and her first with the gallery. Spindler presented her third solo show entitled To Hold Time at Barnard in CapeTown in 2018 followed by her solo project Still at FNB Joburg Art Fair 2018. The artist's fourth solo exhibition From Matter to Matter with the gallery 2019 presented a shift and a greater presence of abstraction in her work.