The unlikely marriage of movement and stillness, of tumult and quietude, is a defining characteristic of Katherine Spindler’s oeuvre, eliciting a similar mix of emotion in the viewer. In examining Spindler’s paintings one has the sense that things are moving just beneath and beyond the surface, too vast to fully perceive or understand. With a quiet immensity and arresting gravitas, Spindler’s work sees light and shadow flicker and evade, swirl in eddies, swell and recede. The surface of the canvas, like water, is unstable, constantly shifting and undulating while maintaining a meditative stillness that both captivates and mystifies. Often blurring, veiling, or erasing the images she works with, Spindler’s intention is to evoke rather than explicate, to suggest more than to prescribe.

Spindler completed both her BA(FA) (2004) and MFA (2011) with distinction at the Michaelis School of Fine Art, where she also lectures part time in drawing and printmaking. Her distinguished Masters exhibition, At Sea, drew upon her experience volunteering aboard a hospital ship off the coast of Liberia, and went on to show at Commune.1 in Cape Town. She joined Barnard Gallery in 2014 and in August 2015 presented Selah, her second solo exhibition, and her first with the gallery. Spindler presented her third solo show entitled To Hold Time at BARNARD in Cape Town in 2018.

Selected group exhibitions to date include New Romantics (BARNARD, Cape Town, 2018); Fluid: Perspectives in Paint (BARNARD, Cape Town, 2017); Air: Inspiration / Expiration (Standard Bank Gallery, Johannesburg, 2016); Future / Present (BARNARD, Cape Town, 2016); Picture and Paper (BARNARD, Cape Town, 2015); Surface: Emerging Painters (BARNARD, Cape Town, 2015); Then & Now: Conversations in Time (BARNARD, Cape Town, 2015); Paint Matters (BARNARD, Cape Town, 2014) and Cross-Currents, (David Krut Projects, Cape Town 2012). The artist’s work has been included in BARNARD’s booth presentations at the Cape Town Art Fair (2015-2018) and  Also Known As Africa (AKAA), Paris (2017).

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Katherine Spindler